Starting in 1895, perhaps with japonisme in mind, Hasegawa developed a special set of books that used a more decorative Japanese paper.
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8 The earliest volumes in the Japanese Fairy Tale Series really were very much a product of Tokyo’s close-knit expat community. James, in Constantinople, and moved with him to Japan, where she befriended his Imperial Japanese Naval Academy colleague, Basil H. We know little about her, except that she came from a Scottish clergy family, met her husband, Thomas H. She is a somewhat mysterious figure, however. 7 Kate James translated the largest number of books, and, like the Reverend Thomson, focused on stories that promoted moral lessons. He even commissioned Hasegawa to publish a special set of Ainu fairy tales, because of his personal interest in the culture of the Ainu, the indigenous community in Hokkaido. More of a scholar than the other translators - he was a professor at the Imperial Tokyo University with a particular interest in folklore - Chamberlain was the most familiar name to be associated with the first series, and certainly contributed to its popularity. Chamberlain, a British diplomat born to an aristocratic family, had earned a reputation as a Japanologist, writing travel books, ethnographies, and other materials about Japan. He was an influential figure in Japanese Bible translation and, perhaps not surprisingly, the stories he chose to translate emphasized moral lessons, in line with Victorian values regarding the education of children. The Reverend Thomson had come to Japan in the 1860s, became fluent in Japanese, and worked with the Carrothers at their school. 6Īs to the texts, for the first series of fairy-tale readers Hasegawa commissioned translations from three of his friends in the missionary community: David Thomson, Basil H. The resulting product is creamy white, sturdy, and of a noticeable weight. The plant was harvested for its woody stems which were then cleansed of impurities and pressed in vats to create huge sheets of paper. Mitsumata paper - the most common Japanese paper at the time - was made from the Edgeworthia plant, which had been imported to Japan during the Edo period specifically for its papermaking qualities. While movable type employs individual letters, allowing the printer to reuse the same letters on different pages, woodblocks require the printer to carve the entire page onto a single plate. Woodblock printing - the earliest form of industrial printing - was brought to Japan from China during the tenth- to thirteenth-century Song Dynasty and would become the dominant printing technology in Japan until the late nineteenth century. In order to reproduce the effect of these earlier volumes, Hasegawa engaged traditional Japanese woodblock printers and, for the first series, used traditional mitsumata paper.
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